The Higher Diploma in Mass Communication provides students with the necessary theoretical knowledge and practical skills in the interdisciplinary fields of mass communications i.e. journalism, film, and multimedia as well as the practical aspects of these areas. It equips students with transferable skills which are of relevance to a wide range of careers in the field of mass communications.
The Higher Diploma is designed to develop critical skill and knowledge in the areas of:
- Media
- Journalism
- Film
- Media Technology
- New Media
The course adopts both a theoretical and practical approach requiring students to undertake hands on coursework in areas such as film, documentary, journalism, website design and new media.
The course aims to achieve an international standard of high quality
training which will lead to a universally recognised qualification,
enabling graduates to pursue undergraduate programmes in top universities.
Cambridge International Examinations validate the programme, providing quality assurance for the course structure, content, assesment and moderate the setting and marking of all the coursework.
The Higher Diploma has a total of 16 modules, assessed by means of coursework:
- Introduction to Media
Introduction to Media will introduce students to different ways
of conceptualising and thinking about the mass media and associated
forms of analysis. It will explore the field of media studies
by way of various media models and associated themes and issues
- institutions, effects, power. These will be used to problematise
the object of study and methodological tools utilised. The module
will then go on to introduce students to the main methods of study
they are likely to encounter throughout the programme: semiological
analysis, interviews, ethnographic, contextual approaches, ideological
readings.
Assessment: 100% coursework
- Media Technology
This module aims to provide students with an introduction to a
range of contemporary issues in media, culture and technology.
Students will develop critical awareness of current political
and ethical issues relating to science and technology within media
studies. The content is taught in three sections: Media, Culture
& Technology, Gender & Technology and New Media &
Technology. The first section will explore issues on media, culture
and its impact on technology. The second section will deal with
gender, paying close attention to cyber feminism. The last section
will focus on the Internet and New Imaging Technologies.
Assessment: 100% coursework
- Web Production
Students will be introduced formally to the web and the use of
graphics/images to convey an idea. They will learn about the development
of the web and issues regarding its content and direction. Furthermore,
they will learn to design and create their own website. This module
will teach students how to use a Graphics software and web design
software that are needed to design a website.
Web Production will enable students to develop competence in the
use of computer software, graphics packages and ancillary hardware
such as scanners and digital cameras. Students will also be guided
to market their products and services on the web. This will give
the students exposure to new ways of branding and marketing.
Assessment: 100% coursework
- Animation for Digital Production
This module introduces the importance of digital publication as
the web is so widely used in the modern society. The students
will learn the concepts and techniques in the creation of animation.
The students will develop technical skills for the creation and
manipulation of animation using animation software. They will
be required to distribute a prototype on the web platform. This
module aims to provide students with knowledge and skills in the
use of digital animation and the technology used. Students will
develop a range of technical skills.
Assessment: 100% coursework
- Introduction to Screen Theories
This module centres on screen representations, both fictional
and documentary, where students will learn about composition and
style. This module is not about film/screen alone, but about the
ways in which we experience cinema, concepts of modernity and
technology. It is also about the way we view stories on the screen.
Students will also be exposed to various visual representations
in our global society and the place that film and other media
have in communicating ideas, attitudes and cultural beliefs, both
now and in the past.
This module will enable students to ‘read’ film, visual
images and the cinematic experience. Students are taught on how
to analyse and present arguments with a critical awareness of
the varied forms that texts and visual images can take. The module
will explore the important connections between different identities
and their representations in film, literature and visual culture
and will stress the important roles played by economic, social
and political institutions in framing the way films are made,
distributed and viewed.
Assessment: 100% coursework
- Film Studies
Film Studies looks at the cultural and critical role played by
cinema as an agent of societal desires, conflicts and values.
This module examines film theory and looks at the reading of film
as a media text. It explores textual meanings within film and
how these fit into the framework of cinematic analysis theories.
This module will provide a foundation for the contextual study
of the film as a media text and at the same time give a comprehensive
introduction to film theory concepts and ideas. Students will
be familiarized with film traditions in various parts of the world,
including Bollywood.
Assessment: 100% coursework
- Foundations of News Writing
This module introduces the techniques of basic news writing and
develops the ability to work within the appropriate ethical framework
and to recognise and communicate what is significant. The module
introduces students to writing stories; to interviewing and the
restrictions on reporting. It examines leads, organising stories,
story development; quotes and attributions. Students will be provided
with a comprehensive and carefully graded foundation to the skills
and disciplines of writing for print. Workshop sessions will also
be created to develop expertise in various news writing styles.
The module gives practical and theoretical experience in producing
basic news stories of various styles. The importance of accuracy
is stressed in gathering and reporting facts. An introduction
will also be given to various news sources such as government,
the economy and industrial relations.
Assessment: 100% coursework
-
Legal and Ethical Issues for Journalists
This module provides journalism students with an overview of
legal and ethical issues. An integral part of the module will
be discussions of stories written by students on difficult court
subjects such as rape and contempt to see how to avoid pitfalls.
Current issues in the press will also be discussed as they arise.
The module looks at the issues from the angle of the journalist’s,
not the lawyer’s. It looks at the law and the journalist,
how to avoid libel, slander and contempt in stories, freedom
of expression, privacy, official secrets, obscenity, copyright,
plagiarism, the reporter of interest, personal involvement/
participation; bribery; threats and favours. Current ethical
dilemmas for journalists are also covered, e.g. reporting wars,
the right to anonymity (victims and defendants).
Assessment: 40%/60% (Coursework/Examinations)
- Media Representations
This module deals with major concepts in media, communication
and cultural studies – the analysis of: the connections
between the production of media texts, circulation and reading
practices, and the formation of audiences and their capacities.
Students will be trained to develop an understanding of the contexts
of circulation and the techniques of composition of the realist
and materialist accounts of representation; and how specific media
genres ‘work’ to form capacities in audiences by producing
particular ways of seeing people and things through address, narrative,
and spectacle. Specific texts will be considered as examples of
genres, and as ‘occasions’ for an audience’s
formation. Furthermore, this module will help students appreciate
discourses and selected regimes of representations through selected
media genres like websites, films, and novels.
Assessment: 100% coursework
- Global Culture
Global Culture introduces students to the cultural implications
of globalisation, relating these to specific case studies. The
module opens by reviewing theories of globalisation, with specific
reference to cultural, social, economic and political processes
and outcomes.
The role of the media is analysed in depth, and then case studies
drawn from cinema, music, food and drink, and tourism are investigated.
The module ends by considering the consequences of all this
for the global subject.
Assessment: 100% coursework
- Film Production
This module aims to develop a conceptual knowledge of different
film styles, and enhance students’ understanding and competence
in the issues related to content and storytelling. Students will
be familiarised with the theoretical and technical skills necessary
to make a short film on a given topic. This module also examines
the basic issues that comprise the study of film including film
production, film form, types of films, and film style. Screenings,
lectures and practical exercises are designed to help achieve
an understanding of what makes a film look and sound the way it
does. Apart from demystifying film as an art, students are also
encouraged to analyse films as made objects, to prepare them for
more advanced modules in film.
This module will enable students to understand the theory and
developmental process of communicating through visual time-based
media, develop an understanding of technical terminology used
in film production, and engage with the technical aspects of video
production and editing.
Assessment: 100% coursework
- European Cinema Studies
This module aims to expose students to films beyond Singapore
and the Asian region. It provides an outlet for research into
any aspect of European cinema and is unique in its interdisciplinary
nature, celebrating the rich and diverse cultural heritage across
the continent. European Cinema Studies will also provide a good
stepping stone for students, giving them a headstart prior to
pursuing higher education in film studies. It will also introduce
the historical concepts behind German Expressionism, Italian Neorealism,
French New Wave, Polish Film School, Dogme 95, Czechoslovak New
Wave and many more.
European Cinema Studies will introduce cinematic concepts which
are different from the “traditional” Hollywood. Highlighting
the outstanding European filmmakers whose work had created an
international impact. It aims to interest students in the aspects
of European filmmaking which are more political in nature.
Assessment: 40%/60% (Coursework/Examinations)
- Documentary - Theory and Practice
This module introduces practical, technical, and theoretical issues
in non-fiction filmmaking. Students will be exposed to different
modes of documentary representation and the appropriate usage
for each style. They will work individually and in groups in making
creative choices to apply the research, planning and technical
skills of video production and digital video editing to shoot
and edit their own video documentaries. Documentaries of all styles
will be screened and discussed.
The role of documentary in media and as a form of film will be
examined in this module. Students will get the opportunity to
study the roles and responsibilities of a documentary filmmaker
and the importance of the subjects and audiences played in a documentary
film. They will also be exposed to current issues and methods
of documentary. This module will allow them to develop an awareness
of the role visual narrative in the development and production
of a short video.
Assessment: 100% coursework
- Print Media Design
This module introduces the theoretical and practical knowledge
of designing and publishing print-based media such as posters,
newsletters, magazines. The students will be exposed to the publishing
process as well as analyzing the design of the print media. The
students should be able to design suitable print media for a target
readership.
The module also aims to broaden students understanding of publishing
terminology and information design. It allows students to develop
hands on experience and develop their abilities in designing visually
appealing media material.
A desktop publishing and graphic software will be included in
this module. The students will be required to acquire the necessary
technical skills to produce a well-designed print-based media.
Assessment: 100% coursework
- Theories and Techniques of News and Feature Writing
This module emphasises practical application and uses contemporary
mainstream journalism as best and worst models. Students are also
encouraged to gain critical and analytical perspectives, introducing
them to modern means of journalism presentation. Students will
also write stories as part of coursework, as well as develop story
ideas into publishable stories. They will also learn how to function
effectively as reporters and news writers at an advanced level.
The module integrates the processes of reporting: gathering news
through interviews, news conferences, and writing. The module
examines further the qualities of writing, advanced interviewing,
releases, speeches, accidents and also introduces students to
basic practical law reporting. Creative requirements and specialist
techniques required for feature writing will also be analysed.
Assessment: 100% coursework
- Editing and Production
Editing and Production will provide students with specialist knowledge
and experience in the processing of news stories. The module gives
students an insight to improve reporting and writing skills by
giving experience into production constraints and needs. It includes
editing processes, typography and layout, the role of headlines,
etc, computer editing and design, words and pictures. Those taking
this module will act as editors on the newspaper project. News
values will be analysed as they relate to page layout, headlines,
use pf pictures and story juxtaposition. The roles of the editor
and reporter in different kinds of journalism (e.g. newspaper,
magazine) are also analysed and evaluated.
Assessment: 100% coursework
|